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Five years ago, the beloved and I were in a reality show called Everyone’s a Critic. The show took us all to art galleries, mostly in Melbourne and Sydney, plonked us in front of some artworks, asking us to say what we thought of them. I realised TV norms being what they are, that we could have a ten-minute conversation about artists with whom we were familiar and all that would make it onto the program would be ten seconds of me mentioning my mum.
Allies atomique axis / bayonet blood bullet / catatonic courage cowards / digger deficit demobbed / edged embedded enemies.
Journalist and author Elle Hardy spent 15 months researching and writing her 2021 work Beyond Belief: How Pentecostal Christianity is Taking Over the World. She notes the estimation that by 2050, one billion people around the world (one in 10 humans) will be a Pentecostal follower of Jesus (and their pastor).
It is often said that it takes a village to raise a child. It also takes interested and supportive people to encourage athletic talent. A recent documentary on the world's most successful male distance runner Sir Mo Farah raises questions around how host countries know about waste of talent and opportunity when they routinely deport asylum seekers or lock them up?
Walk with me a while now / as an up-and-ready sun bids / the blinking world: “Good day!” / in this hallowed place / where two lakes meet, / and Kevin prayed / and studied in his cave; / and where water, wind and light / conspire to cast a faery gossamer / on tree and grass and stream.
To many who work in the arts industry, the rise of art-making artificial intelligence may pose an eventual threat to their livelihoods. Will independent artists be replaced by corporations using AI to generate mass entertainment?
We all know the Internet can be a seething cesspool of vitriol, so the presence of heart-warming videos of people slipping $20 into someone’s coat pocket or randomly complimenting a stranger, even the ubiquitous handing out of flowers, is largely welcome. But is this actually kindness? If an act of kindness happens and no one is there to film it, did it really happen?
As the boat pulls away, a figure is left standing alone on the rocky beach beneath a thick wall of fir trees. The person stares out after the boat relishing the last morsel of human contact they will have for an indefinite time.
Daniel Mendelsohn lectures in classics at Bard College, a liberal arts institution in New York State. His retired father, aged 81 in 2011, regrets gaps in his own education, and asks to sit in on his son’s course of seminars on Homer’s The Odyssey. Professor Mendelsohn agrees, and Jay Mendelsohn joins a class of 18-19 year-olds. Later, father and son go on a cruise that retraces The Odyssey where they discover: is home a physical place, or something you carry around with you or within you?
History is on my mind at the moment, all because of yet another awful Austen adaptation. The latest cinematic mud-pie thrown at her in the new Persuasion movie may even be the worst one yet, which is something, because there’s a lot of competition. Who can forget Gwyneth Paltrow in the 1995 Emma driving a carriage in a yellow ball gown as though she were doing the time trial in Top Gear?
It’s been growing like a refrain, like a consensus, these past few months. Almost everyone I talk to tells the same story of feeling overwhelmed, of not quite coping – or nowhere near coping. They’re tired, and everything just feels a bit harder than it should, like the treadmill’s accidentally been set to an incline.
Ozark is, at heart, an unflinching look at evil. I’ve always known I’d come back to each new release of episodes in part because the darkness is made watchable by the likeable faces of Jason Bateman and Laura Linney. They play the couple at the centre of a family amidst sinister violence and corruption. Indeed, the juxtaposition between the content and those faces is a key part of what makes the show so intriguing.
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